I. Introduction
A. Universal Audio’s impressive legacy in the audio industry is well known, with its roots dating back to the 1950s. Their commitment to delivering top-notch audio equipment has made them a go-to choice for professionals and enthusiasts alike. The Universal Audio LA-610 is a classic analog channel strip that combines a tube preamplifier, compressor, and equalizer into one unit. It is inspired by the legendary Bill Putnam-designed 610 modular console. The LA-610 comes in two different versions: the original MKI and the updated MKII. Here are some key differences between these two models:
1. Aesthetics: The most obvious difference between the MKI and MKII is the appearance. The MKI has a more vintage look with a cream-colored faceplate, while the MKII features a black faceplate with silver accents, giving it a more modern appearance.
2. Preamp Section: Both models use a tube-based preamp, but the MKII has been updated with an improved preamp circuit design that provides lower noise and enhanced performance.
3. Compression: The LA-610 MKII has a switchable compression ratio between 4:1 and 10:1, whereas the MKI has a fixed 4:1 ratio. This added flexibility on the MKII allows for more compression options when processing audio.
4. T4 Optical Compressor: The MKII version incorporates an updated T4 optical compressor with faster attack and release times. This results in improved compression performance and more transparent sound.
5. Metering: The MKII has a larger and more precise meter that displays both input and output levels, as well as gain reduction, making it easier to monitor the channel strip’s performance.
6. Auto-Sensing Power Supply: The LA-610 MKII features an auto-sensing power supply, which allows the unit to work with any voltage worldwide without the need for a voltage selector or external transformer.
7. Rear Panel: The rear panel on the MKII has been reorganized to include XLR and 1/4-inch TRS input connectors, as well as XLR and 1/4-inch TRS output connectors. This provides more flexibility when connecting the channel strip to other gear.
Overall, the LA-610 MKII offers several improvements over the original MKI version, including an updated preamp design, more flexible compression options, and improved metering. While both versions are highly regarded for their warm, vintage tone, the MKII is generally considered to be a more versatile and user-friendly option. In this review, we will delve into the features, performance, and overall experience of using the Universal Audio 610 MKII channel strip, helping you decide if it’s the right addition to your studio setup.
II. Features & Specifications
A. Design and build quality
1. The front panel of the 610 MKII is designed with a clean and intuitive layout, allowing for easy navigation and control.
2. The preamp’s solid construction features a durable metal chassis and high-quality components, ensuring long-lasting performance.
3. The vintage-inspired aesthetic of the 610 MKII pays homage to its predecessors, adding a touch of classic charm to your studio.
B. Technical specifications
1. The 610 MKII offers a gain range of up to 61 dB, providing ample headroom for a variety of microphones and instruments.
2. The preamp’s input impedance is switchable between 500 ohms and 2k ohms, allowing for optimal matching with different microphones.
3. The frequency response of the 610 MKII ranges from 20 Hz to 20 kHz, ensuring a full and accurate representation of your sound source.
4. The signal-to-noise ratio is greater than 82 dB, providing a clean and quiet signal path.
C. Key features
1. The dual-channel design of the 610 MKII allows for versatile recording options, accommodating both microphones and instruments.
2. The variable impedance control lets you customize the input impedance to match your microphone, offering a more tailored sound.
3. The high and low shelving EQ provides simple yet effective tone shaping, adding character to your recordings.
4. The 15 dB pad and polarity reverse switch offer increased flexibility in recording situations.
5. The 48V phantom power enables the use of condenser microphones, expanding your recording options.
6. The direct instrument input allows for easy connection of guitars, basses, and other instruments.
The compressor section of the LA-610 MKII is based on the legendary Teletronix LA-2A Leveling Amplifier, which is renowned for its smooth, natural compression characteristics. The original LA-2A, designed by Teletronix founder Jim Lawrence in the early 1960s, is an electro-optical compressor that uses a light-dependent resistor (LDR) to control the compression. Universal Audio, after acquiring Teletronix, has continued the legacy of the LA-2A and incorporated its design elements into various products, including the LA-610 MKII. While the LA-610 MKII’s compressor section is not an exact replica of the LA-2A, it is inspired by its design and retains the sought-after musical qualities that have made the LA-2A a classic and an industry standard for over five decades.
III. Performance & Sound Quality
A. Microphone preamp performance
1. The general sound characteristics of the 610 MKII are warm and rich, with a smooth midrange and a pleasant top-end.
2. Compared to other preamps, the 610 MKII offers a distinct vintage flavor, setting it apart from more neutral options.
B. Instrument input performance
1. The guitar and bass input on the 610 MKII provides a warm, natural tone, adding depth and character to your recordings.
2. Keyboards and synthesizers also benefit from the preamp’s unique warmth and presence.
C. Equalization capabilities
1. The high and low shelving EQ on the 610 MKII is effective in shaping the overall tone, without sacrificing the natural sound of your source.
2. The musicality and transparency of the EQ sections make it easy to dial in the perfect amount of color and character.
D. Overall audio quality and warmth
1. The tube saturation and harmonics generated by the 610 MKII contribute to its signature warmth and depth, providing a sought-after analog character that stands out in modern productions.
2. The noise and distortion performance of the preamp is impressive, maintaining a clean signal path without compromising the vintage charm.
IV. Pros & Cons
A. Advantages of the 610 MKII preamp
1. The vintage sound offered by the 610 MKII is hard to replicate, making it a valuable addition to any studio setup.
2. The preamp’s versatility accommodates a range of recording situations, from vocals and guitars to keyboards and more.
3. The build quality of the 610 MKII is robust and reliable, ensuring it will stand the test of time in your studio.
B. Disadvantages of the 610 MKII preamp
1. The price point of the 610 MKII may be higher than some competing preamps, but the unique sound and quality construction make it a worthwhile investment.
2. The size and weight of the preamp can be a consideration for smaller studios or mobile recording setups.
V. Comparison with Competitors
A. Neve 1073 – While the Neve 1073 is another industry favorite, it offers a more aggressive sound with a pronounced midrange, compared to the smoother tone of the 610 MKII.
B. API 312 – The API 312 is known for its punchy and forward sound, which contrasts with the warm, vintage character of the 610 MKII.
C. Focusrite ISA One – The ISA One is a more transparent and neutral preamp, lacking the distinct coloration of the 610 MKII.
D. Warm Audio WA73 – The WA73 is a more affordable option that emulates the Neve 1073, but its sound is still different from the 610 MKII’s classic warmth.
VI. Ideal Applications & Users
A. Studio owners and engineers who are looking for a distinct vintage sound will find the 610 MKII an excellent addition to their arsenal.
B. Home studio enthusiasts who want to elevate their recordings with authentic analog character can benefit from incorporating the 610 MKII into their setup.
C. Live sound applications can also take advantage of the 610 MKII’s warmth and presence, adding depth to performances.
VII. Conclusion
A. The Universal Audio 610 MKII preamp offers a unique combination of vintage warmth, versatility, and exceptional build quality, making it a valuable asset in any recording setup.
B. Its signature sound and features make it a standout choice for those seeking authentic analog audio for their modern studio.
C. If you’re considering investing in a high-quality preamp that delivers classic warmth and character, the Universal Audio 610 MKII is undoubtedly worth considering.
